Listing 1 - 10 of 68 | << page >> |
Sort by
|
Choose an application
Iteration:Again documents and reflects upon a series of thirteen temporary public art commissions by twenty-one Australian and international artists that took place across Tasmania from September 18 to October 15, 2011. Produced by Contemporary Art Spaces Tasmania and David Cross, in conjunction with seven partner curators, Iteration:Again presents a compelling array of temporary artworks in largely unexpected places throughout Tasmania. Working to transform our experience of place for a moment in time, each commission seeks to address how temporary interventions or responses by artists to public sites, environments and buildings can serve to open up new ways of understanding Tasmania as a place with very complex cultural, social and spatial resonances.How it might be possible to introduce transformative elements that challenge the notion of a fixed or definitive artwork grounded in one location? By asking the artists to make four different chapters or 'iterations' over the course of a four-week period, David Cross challenged each practitioner to think through how change or processes of transition may function to make the art experience an unstable and contingent one. This idea of incorporating change into the work highlights a growing interest by artists in emphasizing art as a potentially theatrical or even fictive medium with the audience experiencing different moments or stages of encounter over a number of weeks. The idea provided for the possibility of narrative sequences, formal investigations, or temporal shifts that saw key additions or subtractions over time. Each commission sought to recast our understanding of public artwork from a discrete event or viewing experience, to a suite of experiences.The book includes sections on each project by the artists, including Ruben Santiago, Paul O'Neill, Maddie Leach and Toby Huddlestone, with a curatorial statement introducing the work and a commissioned response by thirteen Australian and international writers. It also features two major essays on key issues in temporary public art, including a curatorial essay by Cross and an essay on post-studio practice by noted public art scholar and curator Marco Marcon.
Artists --- Art --- Public art spaces --- Public art --- public art --- contemporary art --- Australia --- Tasmania --- repetition
Choose an application
For too long, the Earth has been used to ground thought instead of bending it; such grounding leaves the planet as nothing but a stage for phenomenology, deconstruction, or other forms of anthropocentric philosophy. In far too much continental philosophy, the Earth is a cold, dead place enlivened only by human thought—either as a thing to be exploited, or as an object of nostalgia. Geophilosophy seeks instead to question the ground of thinking itself, the relation of the inorganic to the capacities and limits of thought. This book constructs an eclectic variant of geophilosophy through engagements with digging machines, nuclear waste, cyclones and volcanoes, giant worms, secret vessels, decay, subterranean cities, hell, demon souls, black suns, and xenoarcheaology, via continental theory (Nietzsche, Schelling, Deleuze, et alia) and various cultural objects such as horror films, videogames, and weird Lovecraftian fictions, with special attention to Speculative Realism and the work of Reza Negarestani. In a time where the earth as a whole is threatened by ecological collapse, On an Ungrounded Earth generates a perversely realist account of the earth as a dynamic engine materially invading and upsetting our attempts to reduce it to merely the ground beneath our feet.
Art objects, Medieval. --- art history --- medieval architecture --- objects --- book history --- art theory
Choose an application
This vibrantly illustrated introduction to the emerging field of the preservation and presentation of media art brings together the contributions of authors from all over Europe and the United States. This volume can serve as a textbook for students in advanced degree programs in media art and museum studies, as well as an invaluable introduction for general readers. A potent combination of incisive scholarly articles and focused case studies, Preserving and Exhibiting Media Art offers a comprehensive overview of the history, theory, and practical skills of preserving media art.
Archivistics --- Art --- Computer. Automation --- Multimedia (Art) --- Motion picture film --- Digital art --- New media art --- Art exhibition techniques --- Display techniques in art --- Exhibition techniques in art --- Exhibitions --- Arts, Modern --- Art, Computer --- Computer craft --- Motion pictures --- Multi media (Art) --- Arts --- Preservation. --- Exhibition techniques. --- Display techniques --- Conservation and restoration --- Preservation and storage --- Computer art --- The arts: general issues
Choose an application
Installation art has become mainstream in artistic practices. However, acquiring and displaying such artworks means that curators and conservators are challenged to deal with obsolete technologies, ephemeral materials, and other issues concerning care and management of these artworks. By analyzing three in-depth case studies, the author sheds new light on the key concepts of traditional conservation - authenticity, artist's intention, and the notion of ownership - while exploring how these concepts apply in contemporary art conservation.
Museology --- Art --- installations [visual works] --- conservation [discipline] --- museology --- exhibiting --- installatiekunst --- museumkunde --- Installations (Art) --- Art, Modern --- Museum exhibits. --- Art museums. --- Conservation and restoration. --- Display techniques --- Displays, Museum --- Museum displays --- Museums --- Exhibitions --- Museum techniques --- Art collections --- Art galleries --- Galleries, Art --- Galleries, Public art --- Picture-galleries --- Public art galleries --- Public galleries (Art museums) --- Arts facilities --- Modern art --- Nieuwe Ploeg (Group of artists) --- Installation art --- Environment (Art) --- Galleries and museums --- Museum conservation methods. --- Conservation methods, Museum
Choose an application
Are the humanities still relevant in the twenty-first century? In the context of pervasive economic liberalism and shrinking budgets, the importance of humanities research for society is increasingly put into question. This volume claims that the humanities do indeed matter by offering empirically grounded critical reflections on contemporary cultural practices, thereby opening up new ways of understanding social life and new directions in humanities scholarship. The contributors argue that the humanities can regain their relevance for society, pose new questions and provide fresh answers, while maintaining their core values: critical reflection, historical consciousness and analytical distance.
Art and society. --- Arts, Modern -- 20th century. --- Civilization, Modern -- 1950-. --- Visual Arts --- Music, Dance, Drama & Film --- Art, Architecture & Applied Arts --- Film --- Visual Arts - General --- Arts, Modern --- Civilization, Modern --- Art --- Art and sociology --- Society and art --- Sociology and art --- Social aspects
Choose an application
An Anthology of Asemic Handwriting is the first book-length publication to collect the work of a community of writers on the edges of illegibility. Asemic writing is a galaxy-sized style of writing, which is everywhere yet remains largely unknown. For human observers, asemic writing may appear as lightning from a storm, a crack in the sidewalk, or the tail of a comet. But despite these observations, asemic writing is not everything: it is just an essential component, a newborn supernova dropped from a calligrapher’s hand. Asemic writing is simultaneously communicating with the past and the future of writing, from the earliest undeciphered writing systems to the xenolinguistics of the stars; it follows a peregrination from the preliterate, beyond the verbal, finally ending in a postliterate condition in which visual language has superseded words. An Anthology of Asemic Handwriting is compiled and edited by Tim Gaze from Asemic magazine and Michael Jacobson from The New Post-Literate blog.
Choose an application
Art --- Fashion merchandising. --- Senses and sensation. --- Marketing.
Choose an application
In 1994, in response to the Northridge Earthquake in the Los Angeles area, Scott Haskins was asked to write a pamphlet entitled "How To Respond After An Earthquake." 500,000 units were distributed to the public through the Human Resource department of The Bank of America Corporation. Following this event, he was asked to write "Save Your Stuff in the Workplace" because there was (and is) no other information available to the corporate and government world. "Save Your Stuff" fills the need for public outreach and education on the subject of Emergency Preparedness and Disaster Response. There is no other resource available to provide this information and education in an entrepreneurial way. The presentation of the educational information is unique in that it translates the professional conservation/preservationese into plain public English.
Archival materials --- Art objects --- Emergency management. --- Conservation and restoration.
Choose an application
"For designers, writing and research skills are more necessary than ever before, from the basic business compositions to critical writing. In this competitive climate, designers are routinely called upon to make words about the images and designs they create for clients. Writing about design is not just "trade" writing, but should be accessible to everyone with an interest in design. This book is a complete, introductory guide to various forms of research and writing in design--and how they explain visuals and can be visualized. These pages address communication on various levels and to all audiences:- Designers to Designers- Designers to Clients- Designers to the Design-literate- Designers to the Design-agnosticBeing able to express the issues and concerns of the design practice demands facts, data, and research. With Writing and Research for Graphic Designers, you'll learn how to turn information into a valuable asset-- one of the key talents of the design researcher"--
Commercial art --- Graphic arts --- Business writing. --- Research. --- Science --- Science research --- Scientific research --- Information services --- Learning and scholarship --- Methodology --- Research teams --- Business --- Authorship --- Business communication --- Art, Graphic --- Arts, Graphic --- Graphic design (Graphic arts) --- Graphics --- Art --- Visual communication --- Advertising, Art in --- Advertising, Pictorial --- Advertising art --- Art, Commercial --- Art in advertising --- Commercial design --- Advertising --- Art and industry --- Posters --- Motion picture billboards --- Marketing. --- Research --- Business writing --- Marketing --- E-books
Choose an application
Offers practical advice, based on the notion of a "family" of supporters, for managing healthy arts organizations
Performing arts --- Show business --- Arts --- Performance art --- Management. --- Management --- E-books --- Organization theory --- Art --- management --- museum administration
Listing 1 - 10 of 68 | << page >> |
Sort by
|